Godzilla the planet eater miana movie#

The second film portrays a totalitarian state where the machine and the self are integrated. In the first film, Haruo commits to military action and his people follow without question. When taken as a whole, the trilogy also poses an interesting commentary on doctrines of mind control.

Godzilla the planet eater miana movie#

It asks: What is the point in fighting a creature such as Godzilla, rather than simply accepting it and living alongside it? What is survival really worth? What is the meaning of civilization, and the damage it can cause? I hadn't expected this kind of philosophical thinking from a Godzilla anime movie series, but with this final film the saga’s overall thematic aims came into sharper focus. The Planet Eater boils down the essence of Godzilla movies to a metaphysical dialogue on monsters as it explores its themes of humanity and survival.

For all this seemingly boundless pessimism, though, The Planet Eater does at least propose the value in appreciating what we already have. While the lack of monster-on-monster action in this series remains a disappointment, the despair that pervades The Planet Eater is another important element in the best Godzilla movies. The previous two installments omitted the kinds of scenes that fans of kaiju movies and Godzilla movies would expect – the wrestling bouts between gigantic monsters. While there’s still not a lot of kaiju action in this final chapter, Godzilla thankfully gets a little more screen time here in what’s been a largely talky series.